By Eleni Ikoniadou

The sonic has come to occupy middle degree within the arts and arts. within the age of computational media, sound and its subcultures can supply extra dynamic methods of accounting for our bodies, hobbies, and occasions. In The Rhythmic Event, Eleni Ikoniadou explores strains and possibilities brought on through the sonic yet resulting in contingent and unknowable forces outdoor the outer edge of sound. She investigates the ways that fresh electronic paintings experiments that in general interact with the digital dimensions of sound recommend trade modes of belief, temporality, and event. Ikoniadou attracts on media thought, electronic paintings, and philosophical and technoscientific principles to paintings towards the articulation of a media philosophy that rethinks the media occasion as summary and affective. The Rhythmic occasion seeks to outline the electronic media art as an assemblage of sensations that outlive the distance, time, and our bodies that represent and event it. Ikoniadou proposes that the proposal of rhythm--detached, despite the fact that, from the assumption of counting and regularity -- can free up the imperceptible, aesthetic power enveloping the art. She speculates that addressing the development at the point of rhythm presents us a glimpse into the nonhuman modalities of suggestion right to the electronic and hidden within the gaps among strict definitions (e.g., human/sonic/digital) and fake dichotomies (e.g., virtual/real). working on the margins of belief, the rhythmic art summons an imprecise area of sonic idea, which considers the development in accordance with its strength to become.

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The Rhythmic Event: Art, Media, and the Sonic (Technologies of Lived Abstraction) by Eleni Ikoniadou


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